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RedParrot

(112 posts)
Sat Jun 1, 2019, 09:43 AM Jun 2019

Antonio Salieri's Revenge

As someone that enjoyed the film Amadeus, I found this New Yorker article on Mozart’s film nemesis rather enlightening.

Antonio Salieri’s Revenge

Excerpt: Two centuries of calumny have created sympathy for the musical devil: I found Salieri’s grave festooned with bouquets. These were evidence that the man and his music are enjoying a modest comeback. Of his forty-odd operas, more than a dozen have been revived, and artists such as Riccardo Muti, Cecilia Bartoli, and Christophe Rousset have pleaded his case. I was in Vienna to attend Rousset’s performance of Salieri’s French opera “Tarare” at the Theater an der Wien. A German-language biography of Salieri, by the composer and musicologist Timo Jouko Herrmann, was published earlier this year. In 2015, Herrmann discovered the score of a cantata, “Per la ricuperata salute di Ofelia,” with one section composed by Salieri and another by Mozart. The find made clear what scholars have long known: that the two were more colleagues than rivals, and that their relationship was complicated mainly by Mozart’s tendency to see plots arrayed against him.

https://www.newyorker.com/magazine/2019/06/03/antonio-salieris-revenge

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Antonio Salieri's Revenge (Original Post) RedParrot Jun 2019 OP
Great article! Thanks for posting! nt JoeOtterbein Jun 2019 #1
Very interesting! Thanks! The Velveteen Ocelot Jun 2019 #2
I own a number of CD's of Salieri's music. Aristus Jun 2019 #3
It was an excellent article. As you'd expect from the New Yorker. bif Jun 2019 #4

The Velveteen Ocelot

(121,236 posts)
2. Very interesting! Thanks!
Sat Jun 1, 2019, 10:49 AM
Jun 2019

I knew Salieri didn't kill Mozart and that they weren't even enemies, but I loved Amadeus anyhow. This is a really interesting article about a composer who should be given more credit.

Aristus

(68,526 posts)
3. I own a number of CD's of Salieri's music.
Sat Jun 1, 2019, 01:38 PM
Jun 2019

He wrote themes that both Mozart and Beethoven were not shy about borrowing and adapting into their own works. He was a pretty good composer.

I once asked former Seattle Opera General Director Speight Jenkins if he thought there would ever be a revival of Salieri's numerous operas. Jenkins said no.

"Why?" I asked.

"Because they're boring!"

I guess Jenkins was wrong about the revival.

bif

(24,142 posts)
4. It was an excellent article. As you'd expect from the New Yorker.
Fri Jun 7, 2019, 11:52 AM
Jun 2019

I've been getting it since high school. And I'm in my early 60s now. The finest magazine in the English speaking world.

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